new video loaded: Spielberg Gets Paranoid With ‘Disclosure Day’Disclosure Day shows that after 50 years Spielberg’s fixations are the same, but his faith in the system has deteriorated.By Alissa Wilkinson, Edward Vega...
Read moreA federal judge granted Blake Lively a partial victory on Friday in a legal motion that followed her settlement with Justin Baldoni’s production company, granting her attorneys fees but denying her request...
Read morenew video loaded: ‘Disclosure Day’ | Anatomy of a SceneThe director Steven Spielberg breaks down an action sequence from his new film “Disclosure Day” for Anatomy of a Scene.By Mekado Murphy, Sutton...
Read moreOur chief theater critic, Helen Shaw, shares her highlights of the Tony Awards on Sunday in New York City.
Read moreThe 2026 Tony Awards, honoring plays and musicals staged on Broadway, will feature an eclectic bunch of performers: flying vampires, vogueing cats, a sweet transvestite and a Celine Dion sendup.There will also...
Read morenew video loaded: ‘Ask E. Jean’ Illuminates Cultural ShiftsAlissa Wilkinson, a New York Times film critic, reflects on the documentary “Ask E. Jean” and the cultural shift toward accusers of sexual assault....
Read morenew video loaded: Why Do Most New Movies Look Meh?Jessica M. Goldstein, an arts and culture reporter, inspects why movies today look different than they did 20 years ago.By Jessica M. Goldstein,...
Read moreAndy Halliday, an actor and playwright whose elastic face and comic timing made him a beloved stage presence, particularly in his work as an original member of Charles Busch’s Theater in Limbo...
Read moreWhen the actor Robert De Niro and Jane Rosenthal held the first Tribeca Festival in May 2002, memories from the Sept. 11 attacks eight months before were still fresh.“I just remember thinking...
Read morenew video loaded: How Cannes Is Grappling With ChangesReporting from the Cannes Film Festival, our film critic Alissa Wilkinson describes how the event is both fending off and embracing aspects of artificial...
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