Arts

Julia Louis-Dreyfus will make her Broadway debut this fall, alongside the Broadway veterans Ed Harris, Allison Janney and Lily Rabe, in a revival of the family drama “Other Desert Cities.” Joe Keery...

Alissa Wilkinson, a New York Times film critic, reviews the very political “I Love Boosters.”

new video loaded: In Defense of the Institution of Late Night“The Late Show With Stephen Colbert” has ended. Our culture critic Jason Zinoman describes what we stand to lose.By Jason Zinoman, Haimy...

new video loaded: How Stephen Colbert, and Late Night, EvolvedJames Poniewozik, our chief television critic, traces the way Stephen Colbert presided over a heyday of political comedy on late night.By James Poniewozik,...

new video loaded: The A.I. threat to audiobooksArtificial intelligence has made pirated audiobooks faster to make and harder to detect. Our reporter Alexandra Alter tells us about the latest threat to the...

For her new painting “The Sparrow Is Never Lost” (2026), Michaela Yearwood-Dan layered earthy washes of orange, red and pink across two vertically stacked canvases. Clusters of brown and green glass beads...

The first thing you should know about “The Emporium,” especially if you’ve heard it’s a newly discovered play by Thornton Wilder, is that it isn’t exactly by Thornton Wilder.Before Wilder died in...

Alissa Wilkinson, a New York Times film critic, reviews “Faces of Death” (2026).

I’m David Frankel. I’m the director of “The Devil Wears Prada 2.” In this scene, Andy Sachs, played by Annie Hathaway, is sitting in on her first Runway staff meeting chaired by...

Claire Maurier, a French actress whose long career included film roles that brought her international attention, including the self-centered mother in the New Wave classic “The 400 Blows” and a bistro owner...