If you saw “Taylor Swift: The Eras Tour” in a theater and enjoyed the vicarious thrill of watching a concert onscreen, here are eight more films of live shows — picked by the Culture desk writers — that will give you a taste of the same experience.
Beyoncé, ‘Homecoming’
Available to stream on Netflix
Beyoncé just announced a new concert film, due in December. Until then there’s her 2018 performance at Coachella. It was the stuff of legends. Marching bands! A Destiny’s Child reunion! So when “Homecoming” dropped on Netflix the next year, it truly felt like a gift. The film is one of intriguing contradictions, feeling both intimate and outsize at once. You see the painstaking hard work in every stunning piece of choreography and hear it in every breathtaking vocal, yet Queen Bey makes it look effortless. Mekado Murphy
What elevates “Stop Making Sense” — and what has made its recent 40th anniversary rerelease now in theaters such a sensation — is its formal elegance. David Byrne begins alone onstage with a tape player and, as fellow musicians gradually accrue with each song, ends as the large-suited ringleader of a rock ’n’ roll circus. The director Jonathan Demme knows he doesn’t need spectacle or special effects to transfix: He just allows each frame to fill with the charisma of a great band. Lindsay Zoladz
‘Summer of Soul’
If 1970’s “Woodstock” is one of the defining concert documentaries, “Summer of Soul,” released in 2021, acts as a sort of complement and rejoinder to it. Questlove’s Oscar-winning film exuberantly unearths footage of the 1969 Harlem Cultural Festival — which took place the same summer as Woodstock — and cuts together some of the most extraordinary performances from artists like Stevie Wonder, Sly and the Family Stone, Gladys Knight, Nina Simone and so many more. Questlove includes interviews with participants and attendees that contextualize the sets musically and historically, but the film’s power is the ability to make you feel as if you are in the crowd even if you are just sitting on your couch. Esther Zuckerman
The Rolling Stones, ‘Gimme Shelter’
Available to stream on Max
This 1970 documentary directed by the Maysles brothers and Charlotte Zwerin is known as something of a Zapruder film for the death of the ’60s, with its footage of a killing at the Rolling Stones’ free concert at Altamont Speedway a year earlier. Still, the movie’s great music gets across the promise that was lost: Mick Jagger in an Uncle Sam top hat and a long lavender scarf, hip-thrusting his way through “Jumpin’ Jack Flash.” The Flying Burrito Brothers raving up “Six Days on the Road” when it still seemed like Altamont could be “the greatest party of 1969.” And most explosively, Tina Turner, singing “I’ve Been Loving You Too Long” and giving a microphone the time of its life. David Renard
‘Depeche Mode: 101’
Available to stream or rent on major platforms
The Music for the Masses tour brought the British synth band’s yearning songs — reverberating like confessional hymns in a cathedral — to the Rose Bowl and beyond in 1987-88. “Depeche Mode: 101” takes in the smokily lighted shows (with lead singer Dave Gahan in a billowing white shirt) and the bright-eyed “bus kids,” fans who went along for the ride. D.A. Pennebaker tunes into the heartbeat of Depeche Mode’s electronic sound, co-directing with Chris Hegedus and David Dawkins. Nicolas Rapold
‘Rage Against the Machine: The Battle of Mexico City’
Available to rent or buy on most major platforms.
I would wager this is the only concert film, directed by Joe DeMaio, that periodically cuts away from the performance to show documentary segments about the Zapatistas, the rebel political group of southern Mexico. Tonally, it’s a turn-of-the-century time capsule: The frenetic live footage (recorded in 1999 and released in 2001) seems to have been edited by a can of Red Bull. But the band’s knockout blend of overt leftist ideology and inventive, funky rap-over-metal holds up. Look for the guitarist Tom Morello’s rhythmic tapping of the unplugged tip of his guitar cable to make music, like somebody using the board game Operation as an instrument. Gabe Cohn
‘Beats, Rhymes & Life: The Travels of A Tribe Called Quest’
Michael Rapaport’s documentary about the groundbreaking rap group A Tribe Called Quest isn’t exactly a concert film per se, but it is bookended by a pair of critical tours: a 2008 run that rapper Q-Tip bitterly declares backstage is its last performance ever, and another in 2010 that sees the trio cautiously reuniting. In between is a vibrant tribute, particularly enhanced after Phife Dawg’s death in 2016, and a no-frills look at the story of a singular group that changed hip-hop, even as success distanced them from one another. Brandon Yu
If Shakira’s recent performance at the MTV Video Music Awards impressed you, this 2011 release will floor you. Singing in three languages (often while dancing vigorously) and playing multiple instruments, the Colombian megastar commands the stage with a magnetic intensity. There isn’t much artifice on display here, only Shakira surrendering her entire body to the vitality of her genre-defying, globally inspired music. Take as proof her sensational belly dancing during “Ojos Así” or her transition from tenderness to fury in the rock ballad “Inevitable.” Carlos Aguilar
