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Vampire Weekend recently released its fifth album, “Only God Was Above Us.” From the band that got started nearly two decades ago at Columbia University but now resides in Los Angeles, it’s an LP that ponders hitting 40, the lessons of history, generational legacies, myths and memories of New York City and Vampire Weekend’s own peculiar status as both an indie-rock success story and an arty pop outlier. It’s also the band’s noisiest album — and perhaps its kindliest.
On this week’s Popcast with the guest host Jon Pareles, three critics discuss Vampire Weekend’s latest conundrums, counterpoint, sonic extremes and hidden jam-band core — and its fascination with tunnels.
Guests:
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Amanda Petrusich, staff writer at The New Yorker
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Matthew Strauss, deputy managing editor of Pitchfork
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