At just 23 years old, French-born camera assistant Hippolyte Charlut is swiftly establishing himself as a vital technical asset on film sets throughout New York City. After dedicating three years to studying cinematography in Paris and completing an additional year of film education in New York, Hippolyte made the courageous choice to move to the U.S. at the age of 21, leaving his homeland in pursuit of greater creative opportunities.
Today, his meticulous approach and composed demeanor on set have made him an indispensable collaborator for both directors and cinematographers. Whether working on narrative films, music videos, or documentaries, he consistently infuses structure, technical skill, and an intuitive grasp of the camera department’s workflow into every project.
Hippolyte’s recent work includes the short film *The Last Call Home* by Mohamed Elhennawy (currently in post-production), the music video *SPEED KILLS* by Ally Evenson & Antony Muse, and *Clairmont’s World* by Nate Colman. He has also collaborated with directors such as Dhwani Shah, Adrian Buitenhuis, and Carley Lovito. “I’m motivated by the influence a well-prepared camera team can have on the entire production. When everything runs smoothly on our end, the whole set operates more harmoniously,” he shares. Looking ahead to 2026, he intends to broaden his collaborations, tackle more ambitious projects, and continue honing his craft alongside emerging creative talents.
