Entertainment

new video loaded: ‘Ask E. Jean’ Illuminates Cultural ShiftsAlissa Wilkinson, a New York Times film critic, reflects on the documentary “Ask E. Jean” and the cultural shift toward accusers of sexual assault....

new video loaded: Why Do Most New Movies Look Meh?Jessica M. Goldstein, an arts and culture reporter, inspects why movies today look different than they did 20 years ago.By Jessica M. Goldstein,...

Andy Halliday, an actor and playwright whose elastic face and comic timing made him a beloved stage presence, particularly in his work as an original member of Charles Busch’s Theater in Limbo...

When the actor Robert De Niro and Jane Rosenthal held the first Tribeca Festival in May 2002, memories from the Sept. 11 attacks eight months before were still fresh.“I just remember thinking...

“The thing I admire most — and struggle with the most, when I’m trying to write my own songs — is wanting something to feel classic without sounding pastiche,” he added. “Somehow,...

new video loaded: How Cannes Is Grappling With ChangesReporting from the Cannes Film Festival, our film critic Alissa Wilkinson describes how the event is both fending off and embracing aspects of artificial...

Julia Louis-Dreyfus will make her Broadway debut this fall, alongside the Broadway veterans Ed Harris, Allison Janney and Lily Rabe, in a revival of the family drama “Other Desert Cities.” Joe Keery...

It was the world’s most famous movie built around a slide show: Al Gore, in a darkened auditorium, clicking through images that warned of a heating planet. Within the film’s first minutes,...

The 79th Cannes Film Festival came to a close on Saturday when the Palme d’Or was awarded to “Fjord,” the Romanian filmmaker Cristian Mungiu’s multilingual drama starring Sebastian Stan and Renate Reinsve...

Alissa Wilkinson, a New York Times film critic, reviews the very political “I Love Boosters.”