For “Thunderbolts*,” Marvel has thrown so much stuff into its new branding event — an enigmatic asterisk, a guinea pig, a comic villain, a depressed superhero, nepo babies, veterans of David Simon’s “The Wire” — that some of it was bound to stick. The results are fitfully amusing, sometimes touching and resolutely formulaic. The story zigs and zags between firing guns and dropping bodies, and its tone zips all over the place. What holds it more or less together is a cast that includes Florence Pugh getting her Tom Cruise on, David Harbour playing a boisterous Russian clown and Sebastian Stan winking at Donald J. Trump.
Stan, whose last splashy turn was as the young Trump in the biopic “The Apprentice,” is back as Bucky Barnes, who you may know as the Winter Soldier. This movie’s resident cool dude, Bucky is a soulful warrior with a prosthetic metal arm who looks good on a motorcycle and is mostly here to provide franchise continuity. Now in Congress, Bucky is working with Wendell Pierce’s Congressman Gary, to bring down the head of the C.I.A., Valentina Allegra de Fontaine (Julia Louis-Drefyus, another Marvel returnee). She’s been overseeing a secret program out of a mountain lair worthy of a Bond villain, so, yep, she’s bad news.
If you’re not a comic-book devotee and have never heard of the Thunderbolts before they were exhumed for screen service, you aren’t alone. First introduced on the page in 1997, the group has been re-suited up here to be testy, quarrelsome and finally likable antiheroes, redeemable rogues with hard-luck stories and blood-slicked hands. (The body count is high; the gore sanitized.) The most reliably entertaining are the dryly sardonic Yelena Belova (Pugh) and the excitable, histrionic Alexei Shostakov/Red Guardian (a showily outsized Harbour). The sister and father of Scarlett Johansson’s Black Widow, they are Soviet-trained toughs so powerful they upstaged that superhero in her titular 2021 flick.
There’s always a lot going on in Marvel movies, and the filmmakers here — the screenwriters are Eric Pearson and Joanna Calo, the director is Jack Schreier — pile on twisty plot turns, blowouts, intimate chats and yet more characters. Chris Bauer, a familiar face from “The Wire,” plays a security type, Holt, while Lewis Pullman plays a mysterious newbie, Bob, an addition who isn’t interesting enough for all the screen time he’s given. (His father is the actor Bill Pullman.) Other returning faces include Wyatt Russell (his folks are Goldie Hawn and Kurt Russell), who has some notably bleak moments as John Walker. Like Hannah John-Kamen’s Ava Starr/Ghost and the rest, he mostly plays backup for Pugh.
