Which aspects of the campaign might have earned scrutiny? Online sleuths noticed that a slew of copy-paste phrases — including the description of “To Leslie” as “a small film with a giant heart” — had appeared in social-media posts from the unlikely likes of Mia Farrow, Meredith Vieira and Joe Mantegna. And there was an eyebrow-raising Instagram post from the actress Frances Fisher, soon to be seen tightening Kate Winslet’s corset in the “Titanic” rerelease, who encouraged voters to select Riseborough because “Viola, Michelle, Danielle & Cate are a lock,” though it’s generally forbidden to mention specific competitors in that way.
As the controversy began to heat up, wild rumors flew that Riseborough’s nomination could be rescinded. Puck News even wondered, “Was the Andrea Riseborough Oscar Campaign Illegal?” — a headline so breathless that you’d half-expect someone like Paltrow to be hauled before The Hague as an accomplice. (Hey, if you can’t lock someone up for selling jade vagina eggs, maybe they could be arrested for the lesser charge of Oscar meddling. Isn’t that how they got Al Capone?)
Have Oscar nominations ever been rescinded before?
Rarely, but the last two times it happened, the cause was improper campaigning. In 2014, the academy rescinded Bruce Broughton’s extremely “huh?” original-song nomination from the obscure faith-based film “Alone Yet Not Alone” because he’d leaned on his influence as a former academy governor when soliciting consideration. And in 2017, the academy yanked the nomination for the “13 Hours: The Secret Soldiers of Benghazi” sound mixer Greg P. Russell because he had engaged in “telephone lobbying.”
It was tempting, then, to wonder if a Riseborough rebuke might change the entire makeup of the best actress race: After all, the Emmys rescinded Peter MacNicol’s 2016 nomination for guest actor in a comedy after learning he had appeared in too many “Veep” episodes to qualify, and then his replacement, the “Girls” guest star Peter Scolari, actually went on to win in the category. But even if the academy had seen fit to give Riseborough the hook, there would be no one to take her place. According to the academy’s bylaws, the race would simply be reduced to the remaining four nominees.
So what happens now?
On the last day of January, the academy’s chief executive, Bill Kramer, released another statement about the investigation, and though this statement did mention the “To Leslie” awards campaign by name, it concluded that Riseborough’s nomination would not be rescinded. “However, we did discover social media and outreach campaigning tactics that caused concern,” Kramer wrote. “These tactics are being addressed with the responsible parties directly.”
It’s unclear who those parties are: The academy didn’t name names, Riseborough hasn’t given an interview since the morning of the nominations, and Fisher’s Instagram post was still up last time I checked. But even if the terms of the scolding are unclear, the far-reaching effects of Riseborough’s curveball campaign have the potential to change the way we think of awards season.
