Dear listeners,Each year when I watch the Grammys, I am reminded of the absurdity of the best new artist category. New to whom, I always wonder. The qualifications are notoriously fuzzy and...
Read moreChloe Bailey contemplates getting even for infidelity — “pulling a you on you” — in “Cheatback,” an almost-country ballad like Beyoncé’s “Irreplaceable” from her debut album, “In Pieces.” Backed at first by...
Read moreSubscribe to Popcast!Apple Podcasts | Spotify | Stitcher | Amazon MusicTaylor Swift’s Eras Tour began this month in Glendale, Ariz., and will continue through early August in stadiums throughout the United States....
Read moreThere is a version of “Tao” — call it the best piece of theater we never saw — that would have featured Glass playing piano alongside the action onstage. But early in...
Read moreThe Bolshoi Ballet, the storied company whose name is synonymous with ballet, is considering two tours of China this year. The State Hermitage Museum in St. Petersburg, an art institution, is working...
Read moreThe music is mostly notated, but in a large-scale dual cadenza Chase and Spalding improvise together, remarkably responsive, unified and relaxed, creating a miniature universe of sounds — whispery, earthy, otherworldly-woozy, underwater-translucent,...
Read moreIn “Not Strong Enough” the pumping, echoing production summons the new wave 1980s; one verse mentions singing the Cure’s “Boys Don’t Cry.” The trio describes a shaky relationship, with a nod to...
Read moreAs an R&B singer, producer, dancer, music video director, choreographer and fashion designer, Teyana Taylor is no stranger to the spotlight. She’s known for her sultry singing, sexy dance moves and edgy...
Read moreWalker & Dawson: Orchestral WorksNicole Cabell, soprano; Seattle Symphony Orchestra, Asher Fisch and Roderick Cox, conductors (Seattle Symphony Media)Not all that long ago, the Seattle Symphony’s label was one of the most...
Read moreBut the “Vespers” are prayers, not a requiem. Even if Adams said that this score is one of the saddest and most austere that he has composed, it still celebrates the splendor...
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