Why are we so fascinated by stories about sentient robots, rapacious A.I. and the rise of thinking machines? Faced with that question, I did what any writer on deadline would do and...
Read moreA young white woman revisits Cameroon and remembers an idyllic childhood in a French colonial outpost. Her name is France.Released in 1988, Claire Denis’s quasi-autobiographical “Chocolat” is the brilliant prelude to a...
Read moreWhy are we so fascinated by stories about sentient robots, rapacious A.I. and the rise of thinking machines? Faced with that question, I did what any on writer on deadline would do...
Read moreLeone’s 1966 classic spaghetti western “The Good, the Bad and the Ugly,” about three gunslingers searching for hidden Confederate gold, inspired the narrative structure of “The Last Wish,” with several characters — including...
Read more“Not salsa, not flamenco, my brother. Do you know … naatu?”This friendly challenge kicks off the “Naatu Naatu” number in the Indian blockbuster “RRR.” The tune is nominated for the Academy Award...
Read moreAt the start of his pandemic film, “The First Fallen,” the Brazilian director Rodrigo de Oliveira stakes a claim to the elegiac: A soldier steps through a jungle ruminating in voice-over about...
Read moreHorror films have become a rare bright spot for contemporary Hollywood. Now a group of theater artists is hoping the genre can work on Broadway, too.The producers Tom Kirdahy (“Hadestown”) and Robert...
Read moreI watch the closing credits of every movie I see. I learned from my parents, who would always sit in the dark theater watching the names scroll down the screen while the...
Read moreOn a cold, snowy night in January 1977, Sal Piro waited in line outside the Waverly Theater in Greenwich Village to see “The Rocky Horror Picture Show” for the first time. A...
Read moreHer biological father insists on buying her ballet shoes she does not want. She is repulsed by a tortured relative’s overzealous dinner prayer and insistence on physical touching. When she visits her...
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