‘“Succession” Finale Review — A Perfect, Terrible Goodbye’ [The Guardian]
“Perhaps the success of an ending can best be judged by how much it seems, as the credits roll, that it could have turned out no other way,” Lucy Mangan writes. The series finale succeeds on that front.
‘“Succession” Season 4 Was a Mess — Until the Series Finale’ [Variety]
The show’s final season had problems with pacing and focus, but “Succession” righted itself at the end, writes Daniel D’Addario. “These are, finally, not characters who are endlessly adaptable, easily able to be plugged into just any dramatic scenario; when Kendall pleads in the finale that he doesn’t know what he was meant to do beyond work at Waystar, we believe him.”
‘What Was “Succession” About?’ [Vulture]
Vulture has a few fun riffs on the ultimate meaning of “Succession,” ranging from Wolfgang Ruth’s opinion that the show was about “Stewy being bi all along” to Choire Sicha’s art-inspired observation that “Succession” was really a bunch of “noisy large-scale public art” of the characters’ “interior landscapes.”
“Succession” is also about the “linguistic baubles” that emerged, profane, profound and otherwise, according to Genevieve Koski. Or, as Jackson McHenry writes, “Succession,” like “Seinfeld” is about nothing.
‘Miss “Succession” Already? Here’s What to Watch Next” [NY Times]
It’s been less than a day since the series finale, but “Succession” addicts could suffer withdrawal symptoms already. To ease the pain, Margaret Lyons curates a watch list for every possible “Succession” craving, including series like “The Righteous Gemstones,” “I Hate Suzie” and “Quiz.”
