A movie called “The Mother” is sure to have a lot of symbolism and this action-thriller, starring Jennifer Lopez as a trained killer who must protect the daughter she gave up, has plenty.
In the opening scenes, Lopez’s character, known only as the Mother, is interrogated by F.B.I. agents who are trying to get information on two arms dealers she has worked, and slept, with. Agent Cruise (Omari Hardwick) is respectful. The other agent (Link Baker), not so much — and tells her so with a hectoring monologue. (One of the film’s guilty pleasures becomes anticipating when a mansplainer will get hushed.)
In Niki Caro’s fast-paced film, Agent Cruise assures the Mother she’s safe. “No I’m not,” she says. Guess who’s right? Mayhem ensues and, in an act, stunning for its swift violence, we learn the Mother is pregnant. The newborn, Zoe, is placed with a loving family, and the Mother retreats to Alaska where the fellow soldier Jons (Paul Raci) has her back.
This arrangement has kept the Mother and child safe for 12 years when Agent Cruise reaches out with news that Zoe (Lucy Paez) has been found by the Mother’s former partners: Adrian Lovell (Joseph Fiennes) and Hector Alvarez (Gael García Bernal). Lovell is a nasty-smooth piece of work. As Alvarez, Bernal basks in some candlelit cruelty when the action shifts to Cuba.
What kind of resistance will the men encounter? Lovell trained the Mother as a sniper in Afghanistan. She also knows how to twist a blade.
They shouldn’t fool with the Mother’s nature. Apart from some deadpan exchanges between the Mother and Zoe, Lopez plays the role fierce. Even so, it isn’t always clear which gestures in the film should be taken seriously, and which make sport of the genre’s masculine posturing while offering an allegory about a birth mother’s sacrifice.
The Mother
Rated R for gun and knife violence, some language and brief drug use. Running time: 1 hour 55 minutes. Watch on Netflix.
